The Man Upstairs (1958, UK)
The madman on the top floor wanders about at night, freezing, erratic, causing a nuisance for his neighbors. Everybody sees something different in him, something that confirms their own view of the world. Political and philosophical points are made over him. An entire civil mini-society is created from the struggle over what to do with him. But in the end he’s still just a madman who wanders about at night, freezing, and erratic, oblivious to the meaning he holds for others. Watched it all. I think this may be the first British message movie done in that cramped, stage-like style of American movies like Fourteen Hours. I like that style.
Cairo Station (1958, Egypt)
Drinking, partying, men who collect softcore pornography, flirtatious girls without hijabs. And one or two religious busybodies who stand in the background and complain about how scandalous it all is, ha ha. Want to guess who had the last laugh? Watched: Bits and pieces.
Vynalez Zkazy / The Fabulous World of Jules Verne / Deadly Invention (1958, Czechoslovakia)
There’s not really any Jules Verne here, except in the sense that the movie creates a world populated by illustrations from Jules Verne books, and is shot in such a way that every scene looks like an illustration in a 19th century novel. Watched it all. The story isn’t much, but the visuals – unbelievable. Don’t miss it if you enjoy (the fun-loving form of) steampunk. There’s also a bit of foreshadowing of Terry Gilliam here.