It’s only looking back on Michael Moorcock’s four Pyat novels, ending with The Vengeance of Rome, that I appreciate how funny they are. You wouldn’t think that a series about the life of a fascist who spends time in Dachau could (or should) be funny, but it is.
Moorcock has turned the inter-war period into one long orgy of sex and cocaine, a grotesque farce as told by a liar. After moving quickly in and out of favor with Mussolini in Rome, the exiled Russian Jew-in-denial Pyat comes to Munich, where he becomes Ernst Röhm’s lover, and, briefly, (in a shocking scene worthy of The Aristocrats), Hitler’s cross-dressing dominatrix. Pyat still dreams of a technocratic utopia, he designs gigantic tanks and other impossible weapons for his friends to build. But in the end he’s just a drug addict who jumps from one bed to the next.
It’s funny, in a very brutal way. But the comedy is not for fun. Moorcock is deadly serious. He’s trying to capture the mindset of the people who exterminated the Jews. The preposterous and grotesque events here are not Moorcock’s way of playing light with fascism and nazism, they’re his way of taking them seriously, while avoiding the clichés of Holocaust fiction. The madness follows naturally from that.
The result is full of insights into fascism, presented with disturbing vividness. I love it. The Pyat Quartet is, as a whole, one of the great novels of our time.
When Edward Bernays wrote Propaganda in 1928, the word already had more negative than positive associations, but Bernays thought he could rescue the original, more neutral meaning: The art of propagating your ideas. Bernays’s vision of propaganda was essentially what we today call public relations, a euphemism he himself popularized.
With short stories it’s a short distance between the fascinating and the simply pointless. With little time to build characters or plots, the focus is often on cleverness, confusion and mood. Something weird and moody happens. Then it gets weirder and moodier. THE END.
A slum is characterized by poverty, informal housing, and lack of public utilities. Which means you’re hungry and sick, and you walk around in shit. You get a slum when hundreds of thousands or millions of poor people want to live in a city that has no room for them. Cities can only grow so fast. When they grow faster, you get slums.